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Peterson addressed this question in his 1992 essay Class Unconsciousness in Country Music. He contends that country music engages with and celebrates working-class topics but does so, across all its thematic genres, in a way that is politically regressive and fosters class unconsciousness. Describing the latter as a fatalistic state in which people bemoan their fate, yet accept it, Peterson echoes countless critiques of country music as impotently whiny and self-pitying
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